"In her first engagement with The Production Company, choreographer Kelley Abbey slips straight into the streamlined short rehearsal model, creating beautifully integrated choreography that is as sharply performed as it is wittily conceived. Abbey makes a significant contribution to the terrific use of space, filling every inch of the stage with swirling dancers in “Henry Street,” and majestically parading dancers up stairs and down in the Ziegfeld Follies numbers.''